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Made by Sourabh swarnkar.This site is purely meant for teaching "How to play Mouth-organ or Harmonica" to those really want to learn it and to make new friends...All the notaions give here are in Indian 'SARGAM' style... Everyone is cordially invited to contribute to this website...You may e-mail me at sourabh_swarnkar143@yahoo.com ..

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tongue block technique - Harmonica and mouthorgan

tongue block technique - Harmonica and mouthorgan


Tongue Block

This article is taken form http://www.angelfire.com/music/HarpOn/

Having achieved a good embouchure you are ready to start playing single notes.
With your mouth over the harp place your tongue against the left most holes and leave only the right most hole clear to play a single note. This known as right tongue block because you play through the right side of your mouth.
Now again with your mouth over the harp place your tongue against the right most holes and leave only the left most hole clear to play a single note. This known as left tongue block because you play through the left side of your mouth.
In either tongue block, if you find you are straining to pull your jaw or mouth away from your tongue, then stop straining, instead practise pushing your tongue to the correct spot, and get it used to sitting in the correct position.
Be patient, and relax.

Being able to play out of both sides of the mouth using flexible tongue blocks although not immediately necessary simply opens up more range in playing style, techniques and can allow you to play faster and smoother later on. Being able to switch from one side of the mouth to the other quickly allows for quicker note changes that are a distance apart, and is essential for quick corner switching and playing couter point.

On a personal note: after playing exclusively right tongue for several months, I found learning to play tongue block on both sides a fustrating process. To begin with I simply struggled to stop myself playing right TB, eventually I broke the habit, its an ongoing exercise to become familiar with playing both sides, since I can "fall back" on what I'm used to. However I can see this is severely limiting me from playing in many other techniques (for corner swithching for instance). In my opinion it is a good idea to start learning to play both sides as soon as possible and become equally adept at both techniques to give true flexibility. They are no more or less difficult than each other. Its the individuals experience and preferences that make a difference.

There are variations on how to go about tongue block.
The following descriptions are given in regards to right tongue block for practicality. Please apply it to left tongue block as well.


With many techniques there are a number of ways of achieving the end goal and just as many schools of people who will take various stances on their usefulness or validity.
I recommend you try out the various techniques, find the ones that work for you in different situations and stay open & flexible in your approach.

Tongue blocking needs to be done in a relaxed fasion, if its not coming together simply start again with the basics and perhaps shift your mouth and tongue around a bit to see what feels more comfortable and works for you.

Using right tongue block try blowing and drawing clear clean long notes from hole 4 while blocking holes 2 & 3.

As a starting exercise simply draw 4, blow 4, then shift right one hole so that you have holes 3 & 4 covered with your tongue and play through hole 5... draw 5, blow 5, shift back to your original position draw 4, blow 4. And repeat until you can do it comfortably.

Using left tongue block try blowing and drawing clear clean long notes from hole 4 while blocking holes 5 & 6.

As a starting exercise simply draw 4, blow 4, then shift left one hole so that you have holes 4 & 5 covered with your tongue and play through hole 3... draw 3, blow 3, shift back to your original position draw 4, blow 4. And repeat until you can do it comfortably.

There are a couple of traps with using tongue block.

If you find yourself favouring one side, purposely favour the other until just as comfortable with it.

When you're starting to get single notes, its time to start thinking about breath control and developing it. See the "Exercises", "Breathing Exercises" for more on this.

Finally comes tone. If you strain, if you are tense, if you are fighting with the instrument, you may find your tone is tinny, thin or strained.
The trick is to Relax your tongue, your mouth, your jaw, your neck, your chest and stomach. Relax your shoulders, drop your arms, loosen your elbows, wrists and hands. If you are standing bend your knees slightly, and loosen up your ankles & feet. Relax
Lift your head high, straighten your back, open up your throat like your head is lifted by a puppet string from the sky, and play from your gut. Be patient, it takes lots and lots of practise, so enjoy the ride. Feel the notes rising from your toes, all the way up through your body, resonating in your chest & head, flowing through your throat, your mouth, over your tongue, out through your harp & hands !

Breath the music through your body !

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